Fringe Festival wrap-up

Another Fringe has come and gone - 150 works over 12 days in what turned out to be a record-breaking.


Another Fringe has come and gone – 150 works over 12 days in what turned out to be a record-breaking year at the box office.

Thankfully, Mother Nature played nice. There was nothing like last year’s flood to contend with, and perhaps the box office returns were strong because of that and the high quality of shows.

This year’s Fringe artists received $438,000, with audiences buying over 59,000 tickets during the festival. At the Visual Fringe and AlleyPlays, the artists took in over $10,000. Even Tip the Fringe donations were high: the plastic watering cans at venues were filled to the tune of $36,000.

Speaking of box office, all Fringe tickets this year were on sale before the festival started, a fact that was publicized, but probably not enough.

In the past, 50 per cent of tickets were available for pre-sale and the rest available at the door, which meant that everyone had a chance to catch a hot production. For the first few days of the festival, many theatregoers weren’t aware of the new policy and showed up hoping to buy tickets to well-reviewed shows and those with good word of mouth. Sometimes nothing was left, especially in small venues, though house managers were good about creating waiting lists just in case a seat or two became available.

The people hit hardest, it seems, were those who’d invested in five- or 10-show value packs. Those passes had to be used at the door to secure a ticket and proved useless for already sold-out shows.

Some rethinking has to be done, please, on how many tickets go on sale early and what’s available at the door. The important online buzz about shows, one of the defining elements of the Fringe, felt curtailed this year.

On the other hand, the Fringe’s new app was a success. Many people said they preferred using it to the actual program.

Here’s NOW’s annual list of Fringe highlights.

OUTSTANDING NEW PLAYS

Elly’s Emotions Karenin’s Anna Potosí Punch Up True Valkyrie

OUTSTANDING PRODUCTIONS

Amusement/Redheaded Stepchild Andy Warhol Presents: Valerie Cirqular Confessions Of A Redheaded Coffeeshop Girl Elly’s Emotions 52 Pick-Up Gold Fever Karenin’s Anna Kitt & Jane Love’s Labour’s Lost Mr And Mrs Alexander Never Swim Alone Potosí Punch Up A Simple Twist Of Faith Three Men In A Boat True

OUTSTANDING PERFORMANCES

Isaac Bell and Dana Jean Phoenix (No Chance In Hell) Phi Bulani and Kevin Jollimore (Elvis & Dick) Lindsey Clark (Fantastic Extravagance) Jen Gallant (Hungry) Catherine McNally and Kimwun Perehinec (Chasing Margaret Flatwood) Rebecca Perry (Confessions Of A Redheaded Coffeeshop Girl) Mark Shyzer (Great Battles In History) Johnnie Walker (Redheaded Stepchild) Marilla Wex (Lost And Found)

OUTSTANDING ENSEMBLES

Amusement Andy Warhol Presents: Valerie Cirqular 52 Pick-Up Elly’s Emotions Euripides’ The Trojan Women Everything Is Fine! All In The Timing Karenin’s Anna Love’s Labour’s Lost Mr And Mrs Alexander Never Swim Alone Potosí Punch Up A Simple Twist Of Faith Three Men In A Boat Tikva’s Orchestra Time Stands Still True Valkyrie

OUTSTANDING DIRECTION

Ken Hall (Everything Is Fine!) Rosa Laborde (True) Courtney Ch’ng Lancaster and Paolo Santalucia (52 Pick-Up) Mikhael Melnikoff and Jonathan Dufour (All In The Timing) Jordan Merkur (Time Stands Still) Sue Miner (Three Men In A Boat) Ginette Mohr (Tikva’s Orchestra) Brandon Nicoletti (Never Swim Alone) Alexander Offord (Potosí) Peter Pasyk (Euripides’ The Trojan Women) Kat Sandler (Punch Up) Naomi Tessler (A Simple Twist Of Faith) James Wallis (Love’s Labour’s Lost)

OUTSTANDING DESIGN

David Mesiha, Jason Hand and Ellen Roach (Tikva’s Orchestra) Nina Okens (Three Men In A Boat) Thomas Ryder Payne, Trevor Schwellnus and Lindsay C. Walker (True) Michelle Tracey, Anna Treusch and Kaileigh Krysztofiak (Euripides’ The Trojan Women) Michelle Urbano, Tijiki Morris and the company (Cirqular)

OUTSTANDING PUPPETRY

Baker’s Dozen Cirqular Hungry Who Killed Gertrude Crump?

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