Review: Les Hay Babies at Harbourfront Centre

Acadian trio bring debut LP to francophone festival


LES HAY BABIES at Harbourfront Centre. Friday, November 29. Rating: NNNN.


The Coup de coeur francophone festival double bill Les Soeurs Boulay/Les Hay Babies became one long Hay Babies set, as Les Soeurs called in sick (they couldn’t sing). Yet Les Hay Babies took it in stride.

The Moncton trio – made up of guitarist Vivianne Roy, Julie Aubé on banjo and Katrine Noël on uke – regaled an attentive café-style crowd with songs, stories and jokes that evoked a summer folk fest set. The preambles often stretched out as long as the songs and the chuckling crowd hardly seemed to mind.

Onstage, the tunes were folkier than on the band’s debut LP, Mon Homesick Heart, which came out earlier this year, with some supported only by Roy’s acoustic guitar and the group’s two- and three-part harmonies. At other times, the band made up for lack of percussion with hoedown-like foot stomping while Aubé’s fingers flew on the banjo. Vocally, the group have an impressive sense of timing.

True Acadians, Les Hay Babies songs and speech are littered with franglais La Bear Song, for example, or Néguac And Back (a song dedicated to Acadian villages that have seen better days). Each member took multiple turns singing lead, on songs about New Year’s Resolutions (breaking them, I think), urban cowboy types and a truly crappy first car. Noël, the simplest instrumentalist, made up for it by being quite a singer: sometimes it felt a bit like listening to early McGarrigle Sisters.      

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