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Albert Shin, Jeff Barnaby, Louise Archambault, Amy Jo Johnson, Alan Zweig, Zacharias Kunuk and Aisling Chin-Yee are also bringing films to Toronto
The Toronto International Film Festival announced its Canadian programming on Wednesday (July 31), and there’s a lot to take in. Ellen Page has directed a documentary. Albert Shin made a thriller. Alanis Obomsawin will screen her 53rd film. And Jeff Barnaby made his zombie movie.
In all, 21 features and 25 shorts were announced this morning, with the possibility of further news to come at the launch conference later this afternoon. (Several Canadian galas and special presentations were announced last week.)
Forty-six per cent of the features, and 56 per cent of the shorts, are directed by women. (And as long as we’re looking at percentages, five of the nine artists highlighted in NOW’s spring guide to rising Canadian screen stars earlier this year – Aisling Chin-Yee, Grace Glowicki, Kathleen Hepburn and Elle-Máijá Tailfeathers and Kawennáhere Devery Jacobs – have projects in the festival.)
Clifton Hill, Toronto filmmaker Shin’s long-awaited followup to his 2014 drama In Her Place, will make its world premiere as a special presentation. The film stars Tuppence Middleton as a pathological liar who inherits a Niagara Falls motel, and Hannah Gross, David Cronenberg, Marie-Josée Croze and Eric Johnson as people in her orbit.
The Discovery program will host the world premieres of six debut features. Nicole Dorsey’s Black Conflux tracks the parallel stories of a teenager (Ella Ballentine) and a troubled young man (Ryan McDonald) in 1980s Newfoundland. Sanja Zivkovic’s Easy Land stars Mirjana Jokovic as a Serbian architect struggling with mental illness while trying to raise her teenage daughter (Nina Kiri).
Myriam Verreault’s Kuessipan, an adaptation of Naomi Fontaine’s novel, stars Sharon Fontaine-Ishpatao and Yamie Grégoire as teenage friends starting to grow apart on an Innu reserve in northeastern Quebec. Heather Young’s docu-fiction hybrid Murmur casts Shan MacDonald as a troubled Halifax woman assigned to community service at an animal shelter.
Harry Cepka’s Raf stars Grace Glowicki and Jesse Stanley as two women who change each other’s lives. And Montreal producer Aisling Chin-Yee makes her directorial debut with The Rest Of Us, starring Heather Graham as a woman who invites her ex-husband’s second wife (Jodi Balfour) and daughter (Abigail Pniowski) to live with her and her daughter (Sophie Nélisse).
Seven films will screen in Contemporary World Cinema. Louise Archambault follows her 2013 Canadian Screen Award-winner Gabrielle with And The Birds Rained Down, a drama starring Kenneth Welsh, Gilbert Sicotte and Andrée Lachapelle as hermits whose remote habitat is threatened by wildfires – and by the arrival of two very different women. Sophie Deraspe, director of Vital Signs and The Amina Profile, returns with an adaptation of Sophocles’s Antigone, which transposes the action to contemporary Montreal and makes its principal characters a family of immigrants.
Kathleen Hepburn (Never Steady, Never Still) returns with The Body Remembers When The World Broke Open, a drama about two Indigenous women from very different circumstances, co-directed by star Elle-Máijá Tailfeathers.
The Rainbow Kid writer/director Kire Paputts is back with The Last Porno Show, featuring Nathanael Chadwick as a struggling actor who inherits his late father’s porn theatre actor and filmmaker Amy Jo Johnson delivers her second feature, Tammy’s Always Dying, starring Anastasia Phillips as a woman in a toxic relationship with her mother (Felicity Huffman).
And Calvin Thomas and Yonah Lewis (Amy George, The Oxbow Cure) return to the festival with White Lie, starring Kacey Rohl – one of this year’s TIFF Rising Stars – as a college student who fakes a cancer diagnosis. Given the tenor of Thomas and Lewis’s other films, it is unlikely to be a comedy.
Courtesy of TIFF
Jeff Barnaby’s zombie movie Blood Quantum is one of two Canadian films playing in Midnight Madness.
Two Canadian films will premiere in Midnight Madness. Rhymes For Young Ghouls director Barnaby will open the program Blood Quantum, set in a Mi’gmaq community that’s somehow immune to the zombie plague ravaging the rest of the world. Tailfeathers, Jacobs, Brandon Oakes, Gary Farmer, Forrest Goodluck and Kiowa Gordon topline the cast. And Matthew Rankin (The Tesla World Light) makes his feature debut with The Twentieth Century, a “bizarro biopic” about the early life of Canadian prime minister William Lyon Mackenzie King (Dan Beirne).
Ellen Page’s project, There’s Something In The Water, is one of three new Canadian feature documentaries screening in the TIFF Docs program. Directed Page and Ian Daniel, her partner on Vice’s Gaycation series, it’s described as a film about environmental racism, built on “deeply personal and political” conversations with women dealing with environmental crises in the Indigenous and African communities in Page’s native Nova Scotia.
Alan Zweig, whose documentary Hurt won TIFF’s first Platform prize in 2015, will premiere Coppers, in which retired police officers recount their careers in their own words, while Montreal expat Yung Chang (Up The Yangtze, The Fruit Hunters) returns with This Is Not A Movie, a profile of veteran journalist Robert Fisk and his status in an age where the concept of objective truth has lost all meaning.
And veteran documentary filmmaker Alanis Obomsawin will bring her 53rd work, Jordan River Anderson, The Messenger, to the Masters program. The doc tells the story of a five-year-old Manitoba child from the Norway House Cree Nation Reserve – the location of Obomsawin’s 2017 film Our People Will Be Healed – whose death led to the creation of Jordan’s Principle, a child-first directive designed to ensure First Nations children receive equitable access to government-funded services.
Obomsawin and Chung’s films are both produced by the National Film Board of Canada. The NFB is also premiering three shorts at TIFF: Christopher Auchter’s Now Is The Time, Sandra Ignagni’s Highway To Heaven: A Mosaic In One Mile and Theodore Ushev’s animated The Physics Of Sorrow.
The Short Cuts program will include 20 new Canadian productions, including work from Sofia Banzhaf (I Am In The World As Free And Slender As A Deer On A Plain), Daniel Cockburn (God’s Nightmares), Brandon Cronenberg (Please Speak Continuously And Describe Your Experiences As They Come To You), Renuka Jeyapalan (Life Support), Ariane Louis-Seize (The Depths) Anna Maguire (It’s Nothing), Aaron Poole (Oracle) and Chloé Robichaud (Delphine).
Five additional shorts will screen in the experimental Wavelengths program: Blake Williams’s 2008, Annie MacDonell’s Book Of Hours and Ryan Ferko’s Hrvoji, Look At You From The Tower, all world premieres, and Miryam Charles’s Second Generation and Gabino Rodríguez and Nicolás Pereda’s My Skin, Luminous, both North American premieres.
Zacharias Kunuk’s One Day In The Life Of Noah Piugattuk, which screened as a video installation at the Venice Biennale earlier this year, will play TIFF as a special event. The two-hour narrative, set in Kapuivik in 1961, is about an Inuit hunter pressured by a Canadian official to move his family into permanent housing.
Canadian films previously announced for this year’s festival include Semi Chellas’s American Woman and François Girard’s The Song Of Names, both gala presentations, Atom Egoyan’s Guest Of Honour, a special presentation, and Daniel Roher’s documentary Once Were Brothers: Robbie Robertson And The Band, which opens the festival on September 5. Barry Avrich’s documentary David Foster: Off The Record, profiling the legendary music producer, was announced yesterday as a special event.
Missing from the Canadian slate was Xavier Dolan’s new film Matthias Et Maxine, which premiered at Cannes earlier this year it’s possible TIFF is saving that one for a big surprise announcement at this afternoon’s press conference, as they did last year with Dolan’s The Death And Life Of John F. Donovan. (That didn’t work out too well, though.)
Toronto filmmaker Ricky Tollman’s Run This Town – starring Ben Platt as a fictional reporter investigating the Rob Ford crack scandal – was also conspicuously absent, along with its fellow SXSW premiere Tito, Glowicki’s directorial debut.
The festival also named Kacey Rohl (White Lie), Mikhail Ahooja (The Twentieth Century), Nahéma Ricci (Antigone) and Shamier Anderson (co-starring in Drake Doremus’s previously announced special presentation Endings, Beginnings) as its 2019 Rising Stars.
The 43rd Toronto International Film Festival runs from September 5-15. Full details on the announced features and shorts can be found here.