>>> P@ndora

P@NDORA by Sarah Berthiaume, translated by Nadine Desrochers (Youtheatre/Young Peoples Theatre, 165 Front East). Runs to December 11, December 5-6.


P@NDORA by Sarah Berthiaume, translated by Nadine Desrochers (Youtheatre/Young Peoples Theatre, 165 Front East). Runs to December 11, December 5-6 at 2 pm, December 8-11 at 10:30 am and 12:45 pm. $19-$24. 416-862-2222, youngpeoplestheatre.ca. Rating: NNNN

P@ndora is unlike almost any show Ive seen at Young Peoples Theatre. Dealing with a teens sexual urges and the sense of shame she has because of those desires, the show is barefaced and unapologetic in its language and themes.

Yet its also poetic, suggestive and nuanced, a clever variation on the Greek myth of Pandora and her monster-filled box.

You wont be surprised about that unusual combination of elements if youve seen other works by Quebec playwright Sarah Berthiaume Canadian Stage presented The Flood Thereafter and Yukonstyle a few years ago. Blending surreal incidents and everyday reality, Berthiaumes writing is intriguing and thoughtful, never going where you expect it to.

P@ndora, translated by Nadine Desrochers, presents the outer and inner life of Pandora (Bria McLaughlin), a high schooler who has a shy crush on Alex (Sean Colby), a guy who fills his blog with short stories that end unhappily. One day in the washroom, she meets an unseen perv her word who hands her a lighter embossed with the website foxylady.com.

Its a porn site, and Pandora watches an explicit video involving a hot man and a masked woman who, after the teen is turned on by what she sees, unmasks to reveal Pandoras face. Later visits to the site reveal similar sexual encounters but different role-playing costumes. How, she wonders, did these videos get made?

She later meets the figure who gave her the lighter: Firefox (Colby), a red fox who both fuels her desire and stokes her sense of shame about her body and her cravings. Calling her chickie and labeling her a slut, he feeds those opposing feelings of interest and disgust he seems to have Pandora hooked.

When shes with Alex shes tongue-tied, unable to make the connection she wants despite the rom-com alternatives in her head. After she leaves him suddenly at a party when a spreading black stain appears on her crotch, she isolates herself but cant keep Firefox away. The shows open-ended resolution relies on confrontation and self-acceptance.

Berthiaumes writing is strong, Pandoras narrative alternating with Alexs blog stories, sensual tales whose elements finally coalesce into a portrait of Alex herself. Dream and reality also blend, so that at times were not sure whether what we see is going on in Pandoras mind or the outside world. The engaging McLaughlin and Colby make the action believable, no matter where it occurs.

Directed and presented at YPT by Youtheatres Michel Lefebvre, who commissioned the work for his Montreal company, the show is visually strong, too. Lefebvre provides the scenography, while Guillaume Levesques unsettling sound design and Martin Siroiss lighting are powerful. The lighting, relying on hand-held tablets and various tones of fluorescent illumination placed on the theatres floor and ceiling, defines the plays disquieting world as carefully as the script does.

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