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Christopher Hoile

Despite great performances, Coal Mine’s play about cosmetics testing on humans rather than animals produces mixed results more

Theatre

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Cylla von Tiedemann

Some of director Alan Dilworth’s ideas are unclear, but a tightly bound ensemble lends this production undeniable power more

Theatre

Drew Hayden Taylor’s play about an Indigenous man at odds with a privileged white woman is marred by an obvious imbalance in the script more

Theatre

Bad Hats Theatre’s Dora Award-winning production of the classic draws on simple stage magic more

Theatre

Njo Kong Kie’s haunting opera has the feel of a work that will last more

Opera

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Jeremy Mimnagh

Evalyn Parry and Laakkuluk Williamson Bathory's absorbing multimedia performance piece explores the complexity of the Arctic more

Theatre

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Michael Cooper

Donizetti’s comic opera is undermined by an uneven cast and the relocation of the story from Europe to small-town Ontario more

Opera

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Sophie I'Anson

Peter Hinton's direction gives the Harry Somers opera a cohesiveness, sense of purpose and a sensitivity to First Nations people omitted from the original production more

Opera

Why Not Theatre's gender-swapping, bilingual production - in English and American Sign Language - doesn't always shed light on the Danish play more

Theatre