As soon as Michael Ondaatje’s Booker winner The English Patient was adapted for the big screen – and NOW made its star Kristin Scott Thomas our cover story – her career took off.
The movie swept the Oscars, including best picture (Scott Thomas was nominated but lost), and since then she’s made over 30 films, many of them in France. She’s the best thing in the holocaust drama Sarah’s Key, still playing on Toronto screens. (Page 42 of the issue.)
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