Liisa Repo-Martell
What A Young Wife Ought To Know is candid and intelligent
Hannah Moscovitch’s play about a 1920s wife and mother hides behind its rhetoric and feels at times like a heritage project Read more
Boy In The Moon is moving, despite its theatrical flaws
Staging almost sabotages the story of parents of a disabled child Read more
Photo by Cylla von Tiedemann
>>> Review: Happy Place
Finding compassion and empathy is a slow but rewarding process for the characters in Pamela Mala Sinha’s new play Read more
Eternal Hydra
Anton Piatigorsky's funny, entertaining script explores the nature of authorship, genius and voice Read more
The Patient Hour needs patience
Strong emotional connection missing in follow-up to I, Claudia Read more
Susan King
Storms on the horizon
After a stint in TV land, Waneta Storms returns home to play it again Read more
Sunday Father knows Best
Adam Pettle's funny and moving script gives a contemporary spin to the familiar Cain and Abel story Read more
Cover story: Liisa Repo-Martell
SHE'S POURED HER SOUL INTO SOULPEPPER'S CLASSICS, BUT IS THE CITY'S MOST SERIOUS ACTOR HAVING A GOOD TIME? Read more