Advertisement

Culture Stage

Musical Balancing Acts

Rating: NNNNN


GRACE CHAN * Appearing in Iron Road * Born:
Manila * Came to Toronto: 2001 (debut) * Training:
UBC and the Vancouver Opera Ensemble * Career
highlights: A mostly operatic career, with South
Pacific’s Bloody Mary to show versatility * What: Iron
Road, Chan Ka Nin and Mark Brownell’s opera in
which a Chinese woman comes to Canada seeking
her father, an immigrant building the national
railway (details, page 71). * Buzz: Mark Brownell,
known for his non-musical scripts, provides a draw
with his first libretto. But will audiences go for a
story, however timely, told and sung in English and
Cantonese?

TED DYKSTRA * Appearing in Hedwig And The
Angry Inch * Born: Chatham * Came to Toronto:
1984 * Training: National Theatre School
* Career highlights: Best known for his musical
chops (Fire and 2 Pianos, 4 Hands, both Dora
winners Tommy), he doesn’t sound a wrong note in
straight theatre (Problem Child) * What: Hedwig And
The Angry Inch, the Off-Broadway hit about a
transsexual wannabe rock star (details, page 71). *
Buzz: With raves from David Bowie and Martin
Short, this rock musical’s timing could be right. The
film version wowed Sundance. And Dykstra looks
damn good in a dress.

Beginnings

First theatre memory?

ted dykstra: Playing the bird in Once Upon A lothesline, age nine.

grace chan: Playing a singing herald in a kindergarten Christmas show.

What made you want to get on the stage?

dykstra: I have no other marketable skills.

chan: I thought the view would be better.

First memorable performance?

dykstra: Managing to act sober in front of my parents when I was really drunk in grade nine.

chan: Throwing tantrums over my baby bottle.

When did you know you might be good at it?

dykstra: The same day.

chan: When I was a year old my mother told me I was a good actor.

Major influences/mentors?

dykstra: Gretzky, Beethoven, David Fox, Michael Healey, Michael Mawson.

chan: I learned from various heroes, the quiet ones, not the noisy ones — Gandhi, not Guevara.

The Work

What’s your show about in one sentence?

dykstra: A kickass rock musical in which the music is actually rock music played by a real band that doesn’t have any woodwind players.

chan: A healing tribute to the role of Chinese immigrants in Canadian history.

What’s your biggest challenge in this piece?

dykstra: Very high heels.

chan: Singing while flying in a harness.

Last show you saw and loved?

dykstra: The Drawer Boy. Great cast, great play. Cried, laughed and was surprised.

chan: Mamma Mia! Hey, I grew up on ABBA.

How do you compete with Mamma Mia!?

chan: The show’s an opera, but we don’t close with a “fat lady singing.”

dykstra: I didn’t know I was.

The Career

You’re an agent. Sell yourself.

dykstra: He’s the best Dutch-Canadian actor on my roster. Please give him a job — he’s going to have a baby in July.

chan: She’s a chameleon but not an ingenue. This mezzo can do tramps, vamps, britches and bitches.

Best career move?

dykstra: Turning down Les Miserables in the 1980s to do Fire.

chan: Leaving jobs as an optometrist and recording engineer to follow my performing instincts.

Best break in theatre?

dykstra: 2 Pianos, 4 Hands.

chan: Playing Bloody Mary after training in opera.

Any hidden talents?

chan: I can perform surgery.

dykstra: I’m pretty good at a Dutch shuffleboard game called Schoelbok.

Worst part-time job?

dykstra: Never had one. This is making me nervous.

chan: Cleaning sewers.

What do your parents think of your profession?

dykstra: It’s all Greek to them, but they’re fine with it.

chan: They’re trying to be positive. They still want me to be a dentist.

Dream duet partner?

dykstra: Melanie Doane, my wife. ‘Nuff said.

chan: Ella Fitzgerald. I’ve been told that I have that kind of voice and a black soul.

Second Thoughts

If you weren’t in theatre, what would you do?

dykstra: Find out how to get into the theatre.

chan: Be as bored as I was before.

Worst stage experience?

dykstra: A summer stock season in Red Deer (“Dead Rear”), Alberta, run by an egotistical Mormon weirdo who was also a slum landlord. Guess where they put us up?

chan: My wig and false chin fell off while I was playing the witch in Hansel And Gretel. I still had to be scary.

Pleasures and piss-offs about the Canadian stage scene?

chan: Pleasure: lots of good performers. Piss-off: too few opportunities to perform and not enough non-traditional casting.

dykstra: Pleasure: no stars. Piss-off: no stars.

jonkap@nowtoronto.com

glenns@nowtoronto.comtheatre profiles

Advertisement

Exclusive content and events straight to your inbox

Subscribe to our Newsletter

This field is for validation purposes and should be left unchanged.

By signing up, I agree to receive emails from Now Toronto and to the Privacy Policy and Terms & Conditions.