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Comedy Culture Stage

Fringe review: Cringe

CRINGE: A SOLO SKETCH COMEDY SHOW written and performed by Sam Roulston (Champagne Boyfriend/Digital Fringe Festival). Now streaming at Fringe On-Demand until August 15. Rating: NNNN


Most of the sketches in Cringe are very funny. And the fact that they’re inspired by cringeworthy behaviour writer/performer Sam Roulston’s either witnessed or heard about adds bite to the show’s laughs.

Roulston, a frequent improviser at Bad Dog Theatre and a faculty member at Second City, takes aim at everyone from covidiots who blithely ignore bubble safety rules to a barista with a passive-aggressive attitude toward his cafe’s community board.

The strongest sketches include a music video (with a song composed by Nicola Dempsey) about hipsters shamelessly exploiting the poor to look fashionable, and a sketch about an annoying straight woman at a gay bar who keeps telling everyone she’s an ally.

The writing is generally sharp. Only two sketches – one about about cancel culture, the other about covid video birthday greetings – could use tweaking. An outside director could have shaped both sketches and elsewhere got Roulston to slow down to allow viewers to savour every funny line.

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The show’s final sketch nicely demonstrates Roulston’s range. Wearing a stetson, riding a horse and lip-synching out of the corner of his mouth, Roulston satirizes a deeply closeted gay Republican country music singer (the perfect parody of a song is composed by Ryan Sheedy), with suggestive rhymes and other signifiers letting us see things this queer cowboy can’t admit. It’s brilliant.

@glennsumi

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