Artist biopic Maudie is a suitably modest portrait

Actors bring authenticity to this film about Nova Scotian artist Maud Lewis


MAUDIE (Aisling Walsh). 110 minutes. Opens Friday (April 14). See listing. Rating: NNN


Maudie is a modest, self-effacing film about a modest, self-effacing artist.

Severely affected by juvenile rheumatoid arthritis, Nova Scotian Maud Lewis (Sally Hawkins) was a self-taught painter who went on to become a pioneer in the folk art movement. Walsh’s film follows her as she leaves her constrictive family to work as a live-in housekeeper for a gruff, antisocial fish seller named Everett Lewis (Ethan Hawke).

Gradually, Maud begins painting images of nature in and on Lewis’s tiny shack of a home her work draws the attention of a touring New York art dealer and misfits Maud and Lewis become an unlikely, eccentric couple.

There are no cheap epiphanies or false lyrical moments, but the film’s humour and unadorned, unprettified setting ring true. Even though there’s a lack of momentum, the performances are excellent.

Hawkins, capturing the real-life Maud’s mischievous spark, invests herself wholly in the role, and Hawke’s choices never feel easy or manipulative. Bring kleenex.

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